FILM

In March 2018, the New York Museum of Modern Art (MoMA) presented, as a collateral activity to Tania's exhibition Bruguera, the exhibition Cinema under censorship, sponsored by Instar and curated by film critic Dean Luis Reyes. This programming revisited more than half a century of institutional censorship in Cuban cinema, beginning with the documentary PM (1961), by Orlando Jiménez Leal and Sabá Cabrera Infante, who was followed Improper Conduct (1983), by Orlando Jiménez Leal and Néstor Almendros, Extravagant Beings (2004), by Manuel Zayas, Santa and Andrés (2016), by Carlos Lechuga, Persona (2014), by Eliécer Jiménez, Nobody (2016), by Miguel Coyula, Crematorium (2013), by Juan Carlos Cremata, Awakening (2011) by the binomial Anthony Bubaire-Ricardo Figueredo, and The Northern Line Train (2015), by Marcel Martin.

The long-term result of this show has been a fund for production of audiovisual materials, which has been growing and transforming itself, from the demands of the own Cuban independent filmmakers.